ABOUT
Jennifer Dehghan is an Emmy nominated Iranian-American Production Designer, Interior/Landscape Designer, Filmmaker and Fine Art Painter who sits on the Television Academy’s Peer Group Executive Committee. She has designed for filmmakers such as The Russo Brothers, Diablo Cody, Lucia Aniello, Alan Yang, Maggie Kiley, Jason Woliner, Joe Tracz, Brad Silberling, Preston Penny, and Michael Keaton while Art Directing for Sofia Coppola, Noah Baumbach, Jim Taylor, Natalie Portman, Davis Guggenheim and Henry Alex Rubin.
Jennifer has done interior design for cliffside homes in the Hollywood Hills and her paintings have been sold in the US and Germany. She also curates the Circudo Art Gallery (www.Circudo.com), an online gallery with the vision to match an elevated and constantly evolving art collection with the practical needs of filmmakers’ sets to tell their stories. Getting artists’ work up on the big (and the little) screen by leveraging their existing bodies of work and compensating them equitably so they can continue making art benefits both filmmakers, artists and the culture alike.
ABOUT
Jennifer Dehghan is an Emmy nominated Iranian-American Production Designer, Interior/Landscape Designer, Filmmaker and Fine Art Painter who sits on the Television Academy’s Peer Group Executive Committee. She has designed for filmmakers such as The Russo Brothers, Diablo Cody, Lucia Aniello, Alan Yang, Maggie Kiley, Jason Woliner, Joe Tracz, Brad Silberling, Preston Penny, and Michael Keaton while Art Directing for Sofia Coppola, Noah Baumbach, Jim Taylor, Natalie Portman, Davis Guggenheim and Henry Alex Rubin.
Jennifer has done interior design for cliffside homes in the Hollywood Hills and her paintings have been sold in the US and Germany. She also curates the Circudo Art Gallery (www.Circudo.com), an online gallery with the vision to match an elevated and constantly evolving art collection with the practical needs of filmmakers’ sets to tell their stories. Getting artists’ work up on the big (and the little) screen by leveraging their existing bodies of work and compensating them equitably so they can continue making art benefits both filmmakers, artists and the culture alike.
